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You can read about My First Two Hours in Portugal here. It isn’t socio-political enough for publication in The Brisbane Line . . . Received the last of eight daily emails from Peter Hendry, an expert with whom Doug White put me in contact, following a presentation of my DVD Looking Out For The Overlooked at the June Landcare meeting. In one of his emails he referred to difficulty with images. I thought he was referring to mine, but it turned out he was referring to some of the reference images used to identify my moths. I wonder if the Queensland Museum knows of him. I had some moths identified via the museum. This took quite a while. I sent Peter my email, with six moths for him to identify, in the morning and received a reply that afternoon. At long last I heard from Katja Schulz again. She told me that The Biodiversity of Tamborine Mountain is on the verge of becoming a Content Partner on EOL. She provided me with a preview of all the pages to which I have contributed images and it was a thrill to not only see the list but very pleasing to click on an entry and see my video frame on the page. I emailed her, pointing out a couple of errors and asked her if she wants me to go through all the pages before she publishes them. This evening I helped Steve capture 166 frames I have selected from recent tapes for our image bank. My friend Robyn Ashwin phoned me to report a flock of Wompoo Pigeons feeding in a fig tree behind her house. The tree was not as big as the one next to Palm Grove where I filmed the Wompoos last July, so I was able to get better close ups this afternoon. I received an email from the Greenscreen Festival stating that my entry had not been selected for screening. This came as no surprise given that entries are made by broadcasters and the like. Last year we stopped our night filming on May 12. This year we are carrying on because the results continue to make it worthwhile, even if some of the creatures are hibernating. We continue to see possums and Leaf-tailed Geckos. Tonight, in Joalah, I filmed a spider securing its egg sac on a leaf suspended by a strand of web a metre from the ground. I then filmed a small snail which appeared to be growing a shell, although it had some of the characteristics of the semi/snail slug. Finally I got some good footage of the eel in the pool with the bridge. The water was much clearer than the first time I filmed the eel here. Of the golden orb spider there was no trace, just bedraggled bits of web. We arranged to film again in a fortnight. Creating and upkeeping my Facebook page, and producing eleven new YouTube clips and the documentary for Greenscreen, has pushed writing articles for The Brisbane Institute to one side. My first article this year for The Brisbane Line is titled Ignorance. Today Martin Leet has emailed me the link to it. You can read it here. I last heard from Katja Schulz on March 11. Dallas emailed her the changes he had made on April 11. I emailed her on April 22 asking her if EOL had received his email. I emailed her again on May 13. And now I have sent her an email titled ‘Limbo’, because that is where I appear to be with EOL. Katja has tended to be quite prompt in replying to my emails, so this silence is out of character, rather worrying and by now unacceptable. This morning I screened ‘One Small Place On Earth . . .’ at the May meeting of the Probus Club attended by about 50 members. It may be its one and only screening. The documentary seemed to be well received and there were plenty of questions afterwards.
I decided to film the golden orb spider I had filmed two nights ago in Joalah, when Steve took footage of me filming and Jaap talking about why he loves spotlighting. This was a species more common further north. The spider had been extremely active at night. Now it was motionless in the middle of the web. Nearby was a fallen, seemingly dead branch, several metres long, sprouting new growth, which I filmed. A bonus was a male and female Log Runner, a medium sized ground-foraging bird, which I filmed in the undergrowth.
I was at the Knoll National Park to film some fungi I had noticed during our night filming a few days earlier when I saw a lace monitor in the picnic area on the look out for scraps. He was a large specimen and I was able to get some good shots of him patrolling the open ground. The monitor did not have things all his own way. A number of scrub turkeys were also after a feed and one repeatedly went for the monitor’s long tail, pecking at it viciously, so that the monitor formed his tail into a horizontal fiddlehead shape to make it a harder target for the scrub turkey. I didn’t film enough of this drama. I went in search of the fungi and only noticed them on my way back.
Today I posted the data disc to Sakkeer Hussein, comprising a number of my YouTube clips he had requested for his classroom project. Steve and I had to complete the Greenscreen DVD and eight new Youtube clips before we could turn our attention to compiling the data disc. Sakkeer, a zoology teacher from Kerala in India, first got in touch in December last year on YouTube with a request to use some of my video clips for his teaching aid project for biology students. He has uploaded hundreds of clips of his own and other footage, covering a vast range of life forms including microbes. Here is his channel.
I had a bit of a win when I renewed my domain names for two years. I was able to renew both names for the price of one. The price has not changed from the beginning. I also have biodiversity.net.au. When visiting the travel agent last week, I was told that my airfare to Europe had gone up by $800. The outward journey involved the added expense of an overnight stop in Singapore. My plan to incorporate a visit to India to catch up with my ex father-in-law, Andy, a couple of months before his 90th birthday, was becoming unaffordable. I enquired about fares for a straightforward Brisbane/London return flight and was quoted a price $2000 cheaper. Then, following phone calls to find out if I could stay with Andy for his birthday, which I can, I today booked and paid for my UK/Europe flight with the intention of travelling to Delhi with my son Simon in December. My UK/Europe dates remain unchanged.
Greenscreen Festival sent an email confirming the safe arrival of my entry the day before the deadline. Steve and I were up against it for the past couple of months, clocking up the hours to produce a documentary about me and my work called One Small Place On Earth . . . Originally I had planned a DVD along the lines of The Beauty of Overlooked Things, but with the extra dimension of night footage. Steve advised me to try and conform to the expectations of the festival organisers by changing to a documentary format. Time and money were always going to be a major constraint. We had to courier the DVD to Germany. I am glad we made the documentary. It is something on which I hope we can build. Dallas sent an email, copied to me, with the amended XML file to Katja Schulz. Received an email from Herbert Distel confirming the dates for my short stay at his house near Vienna at the end of August, to which I am greatly looking forward. I have booked my UK/Europe, August/September trip with a week’s stay in India on my way home. I was a schoolboy the last time I was in Austria. John Caddy emailed me the link to the new Kingdom Fungi pages on his website Morning Earth which includes four of my frames. A couple are on the first page. Keep on scrolling down till you get to the ‘Anemone Stinkhorn’ frames. I received an email from Gold Coast City Libraries ordering five sets of Supplements 1 to 3 of the Archive which were published at the end of 2009. This was in addition to recent orders from other buyers of the original publication of the archive in 2006. Every little helps to defray my production costs. Fortunately the project does not depend on sales since it is not about achieving sales. On February 23 I filmed a pair of ducks with three ducklings on a temporary pond created by a storm-fed spring which had filled overnight. I pass the pond on my daily walk and kept my eye on the duck family. I was amazed that the ducks had committed their brood to this pond. Today I filmed just 2 ducklings; one had perished. They were away from the pond, near the property boundary and had grown considerably. I moved closer to them whereupon they and all the other ducks flew over the fence and did not return. We have had good wet seasons for the past two years, culminating in a record-breaking 354mm in 24 hours on the Mountain on February 6/7. Katja’s email reply to Dallas, copied to me, listed the problems EOL had. Dallas has undertaken to make the necessary changes at a further cost to me. Katja emailed me saying that Dallas’s XML file failed validation and needed further work. I forwarded Katja’s email to Dallas and he copied me in on his reply to her, which was all Greek to me. Four months ago I asked Dallas Wallace, a local IT expert, if he could scrape the website gallery to create an XML file for the Encyclopaedia of Life to complete the process of The Biodiversity of Tamborine Mountain becoming a Content Partner. After a succession of missed self-imposed deadlines by Dallas, I today sent the file to Katja Schulz at the EOL. Tonight we filmed in Witches Falls National Park for the first time. It takes longer to get to the rainforest proper, but we felt we should at last try our luck there. The first creature I filmed was a Giant Barred Frog, regarded as endangered. Not surprisingly, I had never seen the frog before. Later we saw a Rough-scaled Snake, one of a handful of the Mountain’s dangerous snakes. It obligingly stayed still in the vegetation close to the path. Unfortunately Jaap’s spotlight was playing up so I only had a limited opportunity to film it. For the first time since I started using my HDV camera, I was able to film an intriguing event in the form of a host of yellow butterflies attracted to the yellow flowers of a native tree on which they apparently breed. I had never seen so many of the butterflies. In the last few years I only ever saw four or so, but now there were a score or more. Late in the afternoon I stopped to talk with a couple of ladies who have guided me to some excellent subjects for filming, when I noticed a pair of White-headed Pigeons perched on a power line. These birds are not that common. It was years since I had filmed one, high up in a tree, and partly obscured. A man who lived in the street explained that the birds were attracted to the birdfeeder of a nearby house. I decided to go and get my camera only to find that the birds had gone. However, within moments of my arrival one of them returned to the power line in front of the house. I started to set up, but the bird flew out of sight onto the house’s verandah, only to reappear on the top rail of the balustrade, allowing me an excellent shot. This is a large bird as are a number of Australia’s other pigeons. Received the Greenscreen Festival 2010 call for entries. The festival is in Eckernfoerde, Germany, in September and entries must be in by April 16. I entered last year’s festival with my DVD The Beauty of Overlooked Things. In a further attempt to make my work more accessible, on the basis of ‘if you can’t beat them, join them’, I today sent an email to 40 recipients asking them to be a fan of my new Facebook page: ‘One small place on earth . . .’, which has just been set up with the help of the daughter of a good friend of mine. Apart from its interactivity, the good thing about the page is the fact that the nine albums are grouped according to subject, unlike the website gallery which reflects the generally random way in which the archive is compiled. Simon Smith emailed confirming the arrival at the NFSA of the corrected Supplement 3 MOV file together with the three DVD set of Supplements 1 – 3. I posted the replacement MOV file to Simon Smith together with the DVDs of Supplements 1-3, so we can claim that they have now been officially published, complete with slick and their own species list. The supplements are each on a single DVD in the one case and the set costs $150. On 30 November, the day after I got back from Cambodia, I bumped into Jaap at North Tamborine. He told me about a confirmed sighting of a Tiger Snake on the Mountain two weeks previously. I spoke to Doug White who explained that the snake had been seen at night in MacDonald National Park. I suggested to Doug that the Queensland Museum and the Environmental Protection Agency needed to be told because the snake is not recognised as occurring on the Mountain. Today Jaap sent me photos of the snake, which certainly looks like a Tiger Snake. I had to remove the Tiger Snake frame from my Gallery based on what I had been told by Jaap, the Museum and the EPA. Once I know that the Museum accepts the identification, we can restore the frame to its rightful place. My second visit to film Golden Whistlers from the living quarters of a house next to the Wild Garden. The house is raised on poles, so that the camera was on a level with the birds, who either perch on a wild tobacco tree or a more leafy White Bollygum tree. I had long lusted after this very pretty bird with its beautiful, full throated song. The male has a bright yellow underside, a black head, a black collar beneath a white throat, and olive green and black wings. The female has a white underside and fawn head and wings. Having checked Steve’s DVD master of Supplement 3, I was horrified to discover some content errors, such as a misplaced sub-title and a split second loss of image. These errors were on the MOV file I had posted to the National Film & Sound Archive 3 weeks ago. So I alerted Simon Smith who sent an email to Steve querying the nature of the error because there was nothing technically wrong with the MOV file. Steve emailed a reply explaining that we were dealing with incorrect content. Night filming at the Knoll National Park. Jaap had fitted a new battery to his spotlight. Olle Bakker, on a visit from Sweden where he now lives, had carried my tripod in the rainforest when I was filming the original archive and took on the job for old times’ sake. This was his first experience of night filming. I filmed beetles, a ladybird, a Brown Huntsman spider, a cricket, trapdoor spiders and a Brushtail Possum. An email arrived while I was in Cambodia, with some final IDs from Matthew Shaw, the Supervisor of the Inquiry Centre at the Queensland Museum. I have sent several emails with requests for species identification in recent months, particularly for the new Gallery pages, with EOL in mind [The Encyclopedia of Life] www.eol.org. I have been wary from the outset about being able to become a Content Partner. We have to upload our website content as an XML file to the EOL website. I have been in touch with a local IT expert and am still waiting for his advice on whether this can be done at an affordable price. Meanwhile, Matthew pointed out some of the constraints the Museum has in handling enquiries like mine. It is worth quoting extensively from his email, which struck me as very fair-minded. Read it here. Of late I have visited Europe every other year with the intention of seeing another part of the world in the intervening year. Because of the global financial crisis I had no intention of going anywhere in 2009 until the lure of cheap airfares prompted me to book a week's stay in Cambodia (entry 7 April this year) to at last realise a long-cherished desire of mine to see Angkor Wat. By the time I had made all the necessary arrangements, my week overseas turned out to be just about the most expensive of any I have experienced during a lifetime of travel. But what a week it was . . . More I was pleased and relieved to learn via recent phone calls and an email exchange with curator Simon Smith, that the National Film and Sound Archive will be adding Supplements 1-3 to their collection. Today I posted the MOV (data preservation) files to him. We are not quite ready to publish. Angela McKinstry is still working on the slick for the case which will house all three discs. Thus, the NFSA is yet to receive the DVDs, which comprise the published version of the supplements. I received an email from Herbert Distel confirming that his Museum of Drawers is online. To cut to the chase, the link to my 1971 exhibit is here. The first night filming jaunt since May. We chose the Knoll National Park and our first encounter was the rare sighting of an Echidna which hid before I could set up to film it. We filmed another semi-snail. The first one we saw was in MacDonald National Park (entry for 6 January 2009) which can be seen on Night Life 2 on my YouTube and Vimeo channels. They are remarkable in that they have a hump which is covered by a soft membrane instead of having a hard shell. Unfortunately Jaap’s battery was playing up, which curtailed our filming Today Steve and I met Serena Coates and Dave Allan at the State Library to discuss preserving the unedited archive. We are looking at creating discs in the form of data files to be downloaded onto the library’s computer server. Steve will provide Dave with a demo disc containing different data files so that he can select the one he finds most suitable. The Scrub Turkey mound has become much bigger thanks to yesterday’s rain. The turkey was very active on and around his mound. Previous dry weather made it hard for him to achieve the correct mound temperature for eggs to be incubated, so he went walkabout and the only scratching he did was for food. Scrub Turkeys seem to alternate between being indefatigable and indolent. On 28 April, I emailed Steve with a list of 264 frames to be captured as stills, a fifth of which were of night footage. An early result of this massive capture is the addition of four pages to the Gallery, including one (Page 10) devoted exclusively to night shots. This represents a 44% increase in the size of the Gallery. Christina has just about completed the work, bar the addition of a few IDs for which I am waiting. Since each page only contains twelve images, we have plenty of stills for future use. Following a request from PSnews, which is the online magazine for Australia’s public servants, to re-publish my latest Brisbane Line article, I received an email with the links to the features page and to the article. They made some interesting changes, which I think improved on the way the article originally appeared. Read it here. The start of a new season of filming moths on the garage I belatedly discovered as a good location for this purpose (see my entry for March 26 2009). Have embarked on filming a Scrub Turkey, mound gathering and mound building in the Wild Garden. The work is undertaken by the male. He uses his very powerful feet to scratch leaf litter from the ground within a radius of 25 metres from the mound site, by repeatedly retracing his steps and ultimately leaving bare ground behind him. Nothing appears to stop him. He will scrape his material over rocks and the roots of large trees, ending up with a mound which may contain up to four tons of material – earth, leaves and sticks. My latest article is titled The Immature Mature, as flagged in my June 1 blog entry. Read it here. On a day I was checking out various parts of the Mountain for recording good birdsong (which we can always do with, for our Supplements and YouTube clips), I happened upon three alpacas grazing the lush grass of a paddock near the golf course. I regard them in the same light as the Asian Water Buffaloes, which were the first creatures I filmed with my new camera in April 2007 – as welcome exotics. I collected the camera from the repairer. This was the first camera fault I have encountered during the entire project. I damaged my previous camera when I failed to stabilize the tripod, looking on in helpless horror as it fell to the ground. That piece of negligence cost me $700. Repairing my current camera cost $508.10. More of WHSHT emerging from the woodwork in the form of an email from the musician David Toop seeking information in connection with a project of his on the late John Latham. John was a bit of a father figure to us young artists when we started WHSHT. David contacted me via the website. He said some nice things about my project. Today a fault occurred in the camera’s tape loading mechanism. It would not descend. Fortunately the ejector still worked so I was able to retrieve my current tape. I received an email from an expert on lichen in reply to my query about Image 12 on Gallery Page 8. He was able to identify three different species of lichen on the one small area of tree bark – amazing. For the past fortnight I have been filming Wompoo Pidgeons in a Moreton Bay fig tree adjacent to the house on whose lawn and drive I have filmed the pademelons. The tree merges into the rainforest of Palm Grove National Park. Wompoo Pigeons are typical of the breed in Australia, visually striking and of an imposing size, particularly this species which has a pale grey head and neck, green wings with a yellow band, a purple breast and yellow abdomen. The tree is as much a favourite place of the pigeons as the lawn is of the small marsupials; there must be twenty or so birds in its canopy. They are elusive to film and always stay a long way from the camera. Because of my wish to become an EOL Content Partner, I need to identify as many of the species on my Gallery pages as possible and emailed a request list to the Inquiry Centre at the Queensland Museum. I received a very prompt reply, directing my plant species queries to the Brisbane Herbarium and advising me that the fauna identification may take some time. I also emailed a mycologist whom I met at a forum in Brisbane (see blog entry for 25-27 June 2007) for help with identifying fungi, and a Mountain resident who is an expert on grasses. Steve posted ten new video clips on my YouTube Channel. also created a new Vimeo Channel for me and posted the clips there too. Six of the clips form a Night Life series and of the others, one introduces Wollubinia Dorsii, the freshwater turtle officially announced to science in January this year and named after my friend Marcus Dorse. I spoke to Lenore Thiele the other day to find out if she had made any progress identifying a most unusual fungus I filmed in the rainforest and she mentioned that she had seen pademelons (the smallest kangaroo-like marsupials) grazing on the lawn of a house next to Palm Grove National Park. Sure enough, when I had a look yesterday some pademelons were there. Today I had my camera with me and filmed pademelons on the lawn and in the bush land adjoining the house. The people renting the house told me that they had counted as many as 17 pademelons on the property at one time. Although you can frequently hear pademelons in the park, you have to be very lucky to film any (see Film Diary 11 February), so I’ll make a point of returning to the house. On the 26th I received an email from Katja, Species Pages Coordinator for The Encyclopedia of Life (EOL), in reply to an email I sent to EOL some time back expressing my interest in contributing to the project. The remit of EOL is to illustrate and document every species known to science. It has some heavyweight cornerstone institutions and a steering committee on which equally illustrious institutions are represented. I emailed Steve the frames from Tape 27, which I selected today, for him to capture to complete Stills 9, bringing the total number of images to 266. Half the Tape 27 images are night frames (I am still filming Tape 28), so you can see how up to date Stills 9 is. Christina will be able to select the best images to add to the Gallery. I hope we can create a gallery page just of night images. Today I emailed Steve the material from Tape 27 to be added to the new clips we want to put on YouTube and Vimeo. The email included titles. I set up my camera to film the usual birdbath in the Wild Garden this afternoon. Activity was intermittent, but during the last flurry, a Rose Robin appeared frame left and after splashing about for maybe 20 seconds or so, (I haven’t seen the footage yet) flew off frame right. This was another new species for the archive. This evening Steve and I worked on the Darryl Jones interview at his place. Steve had completed most of the editing and needs me to film a brief cut-away sequence to help finish the edit. At last Steve and I were able to take up Clive’s suggestion of creating a Peter Kuttner YouTube Channel. We had recently posted the first new video in 18 months, opened up our Vimeo account and several new posts are underway. Martin Leet sent me the link for Is Life Sacred? – my latest A couple of days ago I received a phone call from a man who was unsure who I was and who was unknown to me – until, after some stalling on my part and hesitant persistency on his, he introduced himself as Herbert Distel, a well-known Swiss artist whom I had met in Hamburg in November 1968 when I was co-curating an exhibition of avant-garde European art and he was one of the artists. He was phoning from his home near Vienna to inform me that his Museum of Drawers (to which I contributed a piece of multi-coloured bread), was in the process of going online and that next year would be its 40th anniversary. The museum contains 500 artworks by 500 artists housed in a cabinet with 20 drawers After meagre spoils night filming in Joalah National Park, usually the most reliable source of subjects, Jaap and I agreed to resume filming in early October. Other than the ever-abundant birds, little is stirring among the Mountain’s fauna in late Autumn and Winter. Indeed our previous foray a fortnight ago in MacDonald National Park was unique in that for the first time in over 18 months I found nothing worth filming. However, I was still able to film a moth on the garage in Central Avenue today. I have received a number of complimentary emails about The archive is an artwork, but given its running time of 18.5 hours it is unavoidably not as accessible as I would wish; hence my desire to show its scope and essence through video installations. Since March last year I have been exchanging emails with John Caddy, a marvelous poet and photographer who lives near Forest Lake in Minnesota and runs the Morning Earth website. He is profoundly into biodiversity, which he celebrates with a daily photograph and poem emailed to subscribers worldwide. I acknowledged his, in my experience, unparalleled work and unburdened myself to him in an email today, bemoaning the fact that I found that none of the art administrators and hardly any artist in the art and ecology movement as I have encountered it, appear to be onto biodiversity. They are either too urbanized, too interventionist or too limited in their approach to nature to take on biodiversity. I pointed out that to make biodiversity an artwork requires above all a recognition of what constitutes a life form, plus an openness to the minutest detail, such as his photo of the track of a grub in bark, and a love of life and beauty. I also drew the parallel with my concept for a blue-chip documentary series about biodiversity which I took to Wildscreen 2006 – where I spoke to many of the great and the good about it. My position was then, and remains, that all the marvelous natural history documentaries deal with aspects of biodiversity, but there is a gap in the record of the genre because there has been no series about biodiversity itself which is needed in order to bridge the gap in understanding between the word’s increasingly widespread use and its meaning. I concluded by saying: ‘So there you have it, thwarted in two areas of endeavour, but fortunately able to carry on filming nature’s marvels in this one small place on earth.’ For over a year I had been after Lenore Thiele, a retired ecologist, to let me film her digging up a fungus, to reveal more about its constituent parts. Naturally she was reluctant to dig in the National Parks, but today she told me about a suitable specimen near her house. When I called round ready to film, she showed me some fungi in her garden and I told her that they would make good subjects, so she dug and I filmed. It was just as well that we took the opportunity, because the fungus she had in mind, a far bigger specimen, had been damaged and it was located under a hedge, which would have made filming far more difficult if not impossible. For the first time since November 2007, we posted a new video on YouTube and took steps to open a Vimeo account with a 60 second clip of a tiny ant dragging the leg of a King Cricket up a large rainforest tree at night. The leg is many times the length of the ant. What is totally amazing about filming at night is the fact that the creatures we illuminate were going about their business in total or near total darkness. It is truly a different earth at night, still an active if relatively silent one. A varied day which included a frustrating attempt to film a couple of Scaly Breasted Lorikeets near my home. Once common, these birds have become a rarity, usurped by the Rainbow Lorikeet. That night I filmed the release into the rainforest of a couple of Carpet Pythons which had been captured on Mountain properties. I paid for my trip to at long last see Angkor Wat, taking advantage of some very cheap air fares. I will be away for a week in late November, which is just right because, given the present global economic situation, I had not intended to travel overseas this year. Was notified by email that my entry for the Green Screen Festival, The Beauty of Overlooked Things, posted on 20 March, had safely arrived in Eckernfoerde. I received no notification that my entry to FICA 11, an international environmental film festival in Brazil, posted 12 February, had been received. I don’t really regard myself as a filmmaker, but welcome the chance to circulate my work, which such festivals offer. Ideally, I would like film festivals devoted to natural history to include a category for environmental artists. An excellent day. In the morning I filmed Wollumbinia dorsii, a newly recognised species of fresh-water turtle, named by its discoverer after herpetologist Marcus Dorse of Tamborine Mountain, a friend of mine. The footage was shot in Marc’s garden and includes him holding the turtle. Later on, I filmed a Graceful Tree Frog on the library window in North Tamborine and a stunning insect on the adjoining Westpac Bank window. The day got better, because that night in the Knoll National Park, I filmed a spectacular moth, a Giant Panda Snail – they are huge - and a Brushtail Possum. The possum was clinging to a tree, only a couple of metres above the ground and remained there for a long time looking at us looking at it. I was able to get some good close-ups of its tail and its paws. Eventually it leaped to an adjacent tree and my view of it was partly obscured by vegetation. Fortunately I managed to zoom onto its pointed nose, at the end of which a large drip formed which duly succumbed to the effects of gravity. As we were nearing the exit, Jaap told us to be still because he had seen a snake crossing our path. It turned out to be a Stephen’s Banded Snake which is rarely sighted because it is nocturnal. It is also venomous and dangerous. The snake remained near the edge of the path, moving slowly so that I was able to get several minutes of footage. Six days ago I paused on my morning walk to talk to some people I know who happened to be at their front gate, which is set back from the road, when my gaze was directed to the presence of several moths clustered around a pair of lamps on either side of the double garage door. The lamps remain on all night. I was gob-smacked. I had passed this garage most mornings for years on end and hadn’t noticed a single moth until that morning’s chance conversation. Many of the moths were tiny and could not be noticed from the street, but some were large enough to be clearly seen. For several days since, I have filmed an assortment of beautiful moths in greater numbers than at the shopping centre in North Tamborine, my erstwhile stamping ground for gathering moths. A couple of days ago I even filmed a fair sized Titan Stick Insect. It doesn’t bear thinking about the moths I have missed over the years at this location. When I started night filming I may have shot five minutes or less of footage during a two hour walk. Now, the amount of footage has doubled. Tonight in the Knoll National Park, I was able to film a couple of Brushtail Possums. Our previous encounters with possums in the rainforest had been too brief for filming. The second possum was particularly endearing as it waited in a branch high overhead until I had finished filming two spiders on the tree’s trunk. Another night filming session in Joalah, which yielded plenty of delights, not least because we had the alert presence of a young woman, who spotted a number of good subjects, the most unexpected of which was a Titan Stick Insect. It was a medium-sized specimen. The insects can grow to a length of 250mm. However, the truly exceptional sight was a roosting Azure Kingfisher on a branch above the self-same pool where I filmed the eel. The bird was a new species for the archive. There was a time, lasting many years, when, much to my disappointment, I failed to see any pademelons – a small marsupial related to the wallaby – on my visits to Palm Grove National Park, where they had been common. However, for the past few years they have been present in numbers, not only near the entrance, but deep within the park. They are skittish creatures. If you don’t manage to see them you can hear them pounding the ground as they bound out of danger. Today, I managed to film a pademelon who had not retreated out of sight, but had paused to watch me from a safe distance. I was able to set up my camera to give me a clear view. After several minutes of the pademelon looking at me filming, it was gone. Filming it was a pure bonus as I was in the park to add to my footage of tangled and knotted vines. I received a reply from the minister’s senior policy advisor declining to provide a grant, but directing me to possible funding sources. My next piece for the Brisbane Line was to be Is Life Sacred? but somehow another article thrust itself forward, diverting me from my intended course and I found myself writing Grumpy Old Men and Women. It was timed to appear in the February issue, the first of the year, but the editor felt it was too frivolous or polemical and declined it. Well, what’s the point of having a blog if you don’t publish your own writing. So now you can read here, what the Brisbane Line turned down. I still want to write Is Life Sacred? Night filming in Joalah National Park with Jaap once again showing the way. The highlight was filming a Long-Finned Eel in the pool below a cascading Curtis Falls, following good seasonal rain. The pool was tranquil and the eel meandered in the water in good view. I had seen a couple of eels in this pool and further down stream and tried to film them in daylight without success. It beats me how eels manage to ascend from the ocean to 500 metres above sea level. Today, following a phone conversation with his senior advisor, I posted a letter to Andrew MacNamara, Queensland Minister for Sustainability, asking him for a grant so that Steve and I can put the 40 hours of the unedited Standard Definition archive onto a Raid hard-drive (mirror back-up) in 20 minute sequences. This will enable the State Library to create DVDs as needed. It will also enable the Library to migrate the material to future preservation and access technology. This evening I was at Steve’s working on the soundtrack for Supplement 1, having recorded the narration in a sound booth at Bond University Film School late last year. Hopefully one more week will see its completion. I will revise the script for Supplement 2 so that we can record the narration for it. Supplement 3 will be an interview in two parts with Darryl Jones, an ecologist and Associate Professor from Griffith University. It was filmed just before my overseas trip last year and last November. I plan to issue the 3 supplements at the same time. Night filming in MacDonald National Park with a Dutch friend, Jaap, who has a good spotlight and knows where to find fauna. Have not viewed the footage. Filmed a garden orb spider in her web, plus several spiders at the entrance to their burrows. Not sure which species – wolf spider, mouse spider, northern funnel web (just as deadly as the Sydney species)? Filmed one of several great barred frogs we saw in the park. One portion of fallen tree trunk next to the path contained two large millipedes, a slug/snail, a leaf-tailed gecko and a rare black-soled frog. Also filmed a glow-worm and its curtain of sticky strands for trapping prey. When I woke up on 29 December, I drew back my bedroom curtain, opened the sliding door onto the balcony and went back to bed to listen to the 7.45 news, as is my wont. As I lay there I saw what looked like a huge tangle of spider web caught in the morning sunlight beneath the seat of a garden chair. Then I saw it was green and wondered how vegetation had somehow been blown behind the chair. When I got up and took a closer look, the sphere of bits of branch from the tree outside my balcony, looked vaguely familiar. I had filmed a similar but larger structure before, in a tree, but devoid of any greenery. Still uncertain, I prodded the sphere and met with resistance. This was indeed a ring-tailed possum’s dray. Unfortunately, some of the vegetation fell off. This enabled me later to film a bit of tail, which poked through the resultant hole. The next day the dray was somewhat dishevelled, due to the possum’s going and coming, and I was able to film other bits of possum. A neighbour to whom I showed the dray pointed out that there were actually two possums sleeping in it, so I filmed bits of both. The possums did not return the next day or the day after, so I removed the dray. In the park opposite my dwelling, I filmed two parent and two young tawny frogmouths (an owl-like bird), huddled close together on a low branch in a pile of fallen vegetation caused by a freak storm three weeks ago. The frogmouths are nocturnal, but were sleeping in a completely exposed position. Both Currawong and Magpie, quite large diurnal birds, let them be. The camera angle could not have been better and I was eventually able to get quite close. In the afternoon they had partly changed their position. The siblings remained where they had been in the morning but the parents were on a low branch in another part of the pile, near a power pole. They were all a bit more active by now and I was able to get some close ups of preening and of their wide-open eyes. Jaap had told me about some lace monitors or goannas he had seen on a number of occasions around Panorama Point overlooking Tamborine Gorge. In the afternoon I drove to the end of the sealed road below the Point, got out of the car and took in the scene. I didn’t see any goannas, but was intrigued by some black birds in the trees near the track. I set up my camera to film them before I realised they were a pair of glossy black cockatoos, a species I had not filmed before. The under side of the male’s tail is a vivid red. The female has yellow marking on her head, reminiscent of that of the yellow-tailed black cockatoo, but a more golden tone and a red and yellow barred tail. The location was not ideal for afternoon filming. Fortunately the birds hung around for a long time feeding on pine cones and I was able to get some good footage. I returned to the spot a number of times without seeing the birds or goannas, but I caught sight of a small plant with blue berries nearby which I filmed. Its identity baffled a naturalist to whom I described it. Following a visit to my place in October by Jo Ritale, Manager, Original Materials Heritage Collections, I wrote her a letter confirming my intention to donate, in due course, the unedited DVCAM tapes and associated papers of my archive to the State Library. I also mentioned my intention to put the tapes onto a hard-drive for access on DVDs. Jo replied by letter just before she left to take up a post in Melbourne, acknowledging my donation and providing contact details for her successor. Quite out of the blue I received an email from Art Vogel, the Curator of the Leiden Botanical Garden, whom I met briefly on my visit there in late August. Constance, the information officer at the Garden, had forwarded him an email I had sent her. He is very keen on cycads and has an impressive display of them, including specimens from South East Queensland. One of the Mountain’s small national parks mainly comprises a grove of palm-like Lepidozamia peroffskyana. Art wrote about a cycad hunting visit to Australia in 2003 and of his recent travels in Mexico where he was impressed by some huge cacti. I attached a couple of frames of the Mountain’s very own huge cactus, a Cereus jamacaru, to the email I sent him. The cactus is a native ofBrazil, resembles a tree and grows to 9m or 30’ tall. Its trunk is 45cm or 18” in diameter, so this is as good a specimen as one is ever likely to find. Today I filmed a second interview with Darryl Jones. In the rush to complete the Beauty Series DVD before my overseas trip, I clean forgot to mention the first interview I had filmed with him on the 3rd of July. The second interview was needed so that Darryl could talk about global warming and its effects on the local biodiversity. He also spoke about Tamborine Mountain as a place where the southern and northern limits of species overlap and about the age of the Mountain’s rainforest. For the first interview I asked Darryl to talk about some of the basic science of biodiversity, touching on species grouping and identification and key relationships between species. Then I wanted to hear about the distinctive features of the biodiversity of South East Queensland and its vulnerability, ditto for Tamborine Mountain. Finally Darryl spoke about a pet subject of his, harking back more than 20 years to his research into scrub turkeys conducted on the Mountain. The males construct mounds containing up to 4 tons of material in which the females deposit eggs. The young hatch and emerge from deep inside the mound and are left to fend for themselves. Their flight feathers are fully formed, the rest are down. They can fly on day one. They need to. The bird has several more surprising characteristics. Little wonder it is a favourite of mine. You can read an edited extract of Darryl talking on scrub turkeys in Stories. There is a photograph of a Scrub Turkey in the Gallery. From time to time Jenny Peat, secretary of the Progress Association, phones to tell me about something film-worthy in her garden. This time I had the opportunity to film the quite rare Fletcher’s frog, which she is encouraging to breed. Although I was running out of tape I managed to get some good footage of a female.  EMAIL FROM STANS VAN DER VEEN – HORTUS BOTANICUS, LEIDEN 27 October 2008
Stans (Constance) van der Veen emailed me pictures of the giant Arum lily, which was supposed to have flowered on the night of my visit in August. Except that they were a day out in their calculations. In any case because I had to get back to Amsterdam I could not have stayed for the duration of what wasn’t the flowering. These plants are famed for their size and the rarity of their flowering and are notorious for the foul odour they emit when in bloom. Stans’ backpack retained the odour a month after the event. After a break of three months I resumed filming and the first subject which caught my eye was a white flower. On my daily walk I noticed more and more white flowers and so for more than a month I mainly filmed plants with white flowers. Some flowers had entirely white petals, some started off with white petals which later turned blue or pink and some had bits of colour at the base of their petals. As I viewed the tapes towards the end of my white flower spree, I tallied the different plants and came up with more than 50, though I went on to film a few more afterwards. As with my 2006 trip, my visit to the UK and Europe had two purposes – to further Sandrine Meats’ Whsht research as well as progressing archive spin-offs (namely video installations based on the archive) and to catch up with family and friends and tour familiar and unfamiliar places. More... The two parcels I sent via courier, containing the DVCAM master tapes of the published archive, a set of the DVDs, the original revised script and copies of the signed interview releases, have arrived at the National Film & Sound Archive. Now is a good time to respond to Clive’s request for a blog piece about my early career! More The forum was held at Griffith University in Brisbane. I was particularly interested in presentations about biodiversity projects in South East Queensland by two professors from the university.
See the Press Release. |
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